Voodoo Lab Analog Chorus

Voodoo Lab Analog Chorus

 
 


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Analog Chorus

Der Voodoo Lab Analog Chorus ist soundmäßig eine Replik des auf dem
Vintage Markt begehrten Boss CE-1 Chorus von 1976. Der fette extrem natürlich klingende Chorus Effekt gilt auch weiterhin als Maßstab an dem sich alle am Markt befindlichen Geräte messen müssen. Die Soundmöglichkeiten des Voodoo Lab Analog Chorus reichen von einer analog Dopplung über fette, schwebende Chorus Sounds bis hin zur einer Leslie Speaker Simulation.


"The Voodoo Lab Analog Chorus is a faithful sonic clone of the old CE1... warm, pulsing and sexy” – Guitar Player

“Warm where many other products are seemingly sterile and cold”
Guitar World

“This is the best chorus I’ve ever used” – Tim Pierce, L.A. session player


Sounds

SummerLand

SummerLand – You can easily use analog chorusing to add gentle motion to a sustained chord, or pulsating punch to a rhythm track or distorted solo. This demo takes you through these various guitar sounds via different Speed and Intensity settings on the Analog Chorus.

Signal Path:
’54 Stratocaster Reissue (humbucker in bridge)
Sparkle Drive
EP-3 Echoplex (used for intro)
Analog Chorus

Amp-Mics-Pre:
50-watt (modified) late-‘60s Fender Twin Reverb head
4x12 late-‘60s stock Marshall cab (25-watt Celestions)
Close mic’d with a Shure Unidyne III SM57 (1073 Repro)
Room mic’d with an AKG 414 (Avalon 737sp)


SpinningSpeaker

SpinningSpeaker – Another great sound is to use Analog Chorus for a rotating speaker sound. By putting the Speed and Intensity knobs full up, you can have some fun with this thick, Leslie-like tone. Play some expensive chords, turn the amp up and you’re ready to go.

Signal Path:
Ibanez Hollowbody (175-sized)
Analog Chorus

Amp-Mics-Pre:
50-watt (modified) late-‘60s Fender Twin Reverb head
4x12 late-‘60s stock Marshall cab (25-watt Celestions)
Close mic’d with two Rode NTK Tube Microphones
Avalon 737sp/1073 Repro


Analog Chorus Solo

Analog Chorus Solo – Chord and single note guitar lines courtesy of Zappa plays Zappa guitarist, Jamie Kime.

Signal Path:
’54 Stratocaster Reissue (humbucker in bridge)
Sparkle Drive
Analog Chorus

Amp-Mics-Pre:
18-watt Budda Superdrive (series II) head
4x12 late-‘60s stock Marshall cab (25-watt Celestions)
Close mic’d with a Rode NTK Tube Microphone (Avalon 737sp)
Room mic’d with an AKG 414 (1073 Repro)



Video-Clips

For watching the video-clips you need to have QuicktimePlayer installed on your computer!

Video-Clip 1

Video-Clip 2

The Lost Videos
Sometime in 1997, a few friends of Voodoo Lab got together for a “tone party” at the LA home of guitarist Joey Brasler. Players like session great Tim Pierce, Jamie Kime (Zappa plays Zappa, Michelle Branch, Jewel), Blues Saraceno (solo artist), and Randy Jacobs (Was Not Was, Boneshakers) all took turns dialing up tones on the entire Voodoo Lab stompbox line. Everything was recorded on video and the tapes were packed away for safe keeping...

Well for nearly a decade, those tapes were essentially lost until a “former” employee found one of them in a box. Unfortunately some tapes are still missing, but we made digital transfers of whatever we could find. While this footage was never meant to be the definitive demo of these products, we felt like it would be fun and educational to put them out. We hope you enjoy them and we’ll be releasing clips as we find them so stay tuned.



Download User Manual

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